Process: Kern and Burn

I had the privilege of contributing an illustration to the Kern and Burn book project. This book dives in with design entrepreneurs and the list of contributors, both writers and artists, is impressive. Tim Hoover and Jessica Heltzel have put together something really special and it all began as a passion project, something I have a soft spot for. I thought this would be an interesting project to take a look at, because honestly, it was one that I struggled with.

The brief I was given was to illustrate the concept "design is in demand." I started as I usually do, with lots of very rough sketches. Working in a group project like this where you know the other artist's work, can be tough. For me there is definitely an intimidation factor and the pressure to do something really good can work against you. That was the case on this one. Despite the slow start, I hit on an idea I liked a lot and thought was worth exploring. A shelf of products expressing the idea of "in demand." Like the mad rush to the grocery store when everyone hears that the snow is coming. I worked from a really simple sketch, but dove into vectors pretty early, because the style I was going to use was very simple.

Once I got it this far I realized it was not illustrating what I wanted it to. I was trying to juxtapose fluff and style versus real design and problem solving, but it was becoming a different idea and was clouding the core idea. Visually it didn't express "demand" but rather emptiness or missed opportunity. In the middle of this I had another idea and thought it was worth the detour to see if there was anything there

I wanted to explore the idea of designer as superhero. Like Batman, equipped to solve the problem and being urgently called. Despite it just about always being a good idea to work in a Batman reference, at about this point, I was really struggling. The brief was so simple, but all of my ideas felt off the mark. I was pressuring myself to do things that were more showy. Every simple idea I had, I discarded because it didn't feel like "enough." I went back to a few earlier sketches to see if there was anything there.

I grabbed a book off my shelf and tore out one of the pages. I added half of the word "design" in post. I thought this was pretty cool visually and getting closer, but didn't quite feel on the mark either. "GN" is in demand? I wanted to push a little farther.

I had an early idea of these butterfly nets, reaching up to try and capture a paper airplane. I worked over top of some thumbnails in rough vectors and did a few different takes on it. I really liked the simplicity of this. There was a feeling of pursuit or capture that I thought was really strong. I did a final execution.

I actually sent this to Tim and Jess as a final. About an hour after I sent it, I wasn't happy with the final composition. The directions of the nets felt haphazard and the piece didn't have much energy or direction.

I liked the feel of this much better. I submitted this as my final. I think the lesson for me here was not to over-think. Trust your gut and do what you do well. If you get a minute, please go support this great project.

New Work: Money Magazine

I recently worked with Money Magazine on their "101 Ways to Build Wealth" issue. We explored several concepts, before landing on the idea of showing the word "WEALTH" in various build states, as if it was being constructed a step at a time.

New Work: JJ's Red Hots Brand Ad

This is a great example of a creative client coming to the table with a great idea. The JJ's brand is very much about homage, heritage and passion. Owner Jon Luther, Marketing Director Brandy Newton and I began talking about this approach a few months back based on Jon's desire to give a huge glimpse into the spirit of the brand. The Ad includes lots of personal keepsakes of Jon's, some great junkin' finds and lots of JJ's brand objects. Kevin Chelko took the shot and Jon, Brandy and I got to do all the arranging. It was a fun shoot.

Be on the lookout for the next Charlotte Magazine to see the ad in print and be on the lookout for this idea applied in some interesting ways at JJ's and online.

The whole enchilada. Click for detailed view.

New Work: WIRED UK / Euro Supercar

I was commissioned by WIRED UK to create a headline and drop cap for an article on European Supercars. The type needed to feel like an automotive manual of exploded diagrams and pick up on elements that felt like a car. It was to be overlaid on a photo, so all of it needed to work in one color. One of the more challenging exploded type pieces I've tackled, but several headaches later, I'm happy with the results.

Click for bigger view

New Work: #AirMax series for Nike Sportswear

For those of you that have followed me for any time, you'll know the MAX100 Project has been a huge part of the last few years of my life – professionally, creatively and personally. I'm thrilled to have had those efforts embraced and supported by the brand that inspired it all. Nike has presented me with the opportunity take my MAX100 approach and to explore the entire classic AirMax range (AirMax 1, 90, 95 & 97). 

Over the next several weeks we will be releasing explorations that express the design roots, color story, cultural significance and reinvention of the new engineered mesh product. I've been working closely with the Nike Global Digital team, developing this series and getting things ramped up to continue over the coming weeks.  

Below are the initial 10 entries and you can read the full press release over on Nike, Inc. We will be releasing the remainder of the series (total of 28) via NSW Twitter & NSW Facebook, so follow along.

New Work: Conversations with Small Defenseless Animals

I worked with the Symantec account team at Leo Burnett to create some title cards for their new "Conversations with Small Defenseless Animals" series. The brief was to capture each of the main animal characters in a simple, graphic way and create a flexible title card / badge. You can see all the spots on Art Director, Jason McKean's site. Thanks to Topher Cochrane and Jason for bringing me on for this one.

Update: 2013 Addys Best of Show

I was honored to be awarded a Gold and Best of Show for the JJ's Red Hots brand program. The most satisfying part was to share the evening with my wife, and the JJ's team that works so hard to make the brand what it is everyday. Thanks again to Jon, Brandy, Melissa, Mark and the whole JJ's team and to the the AAF and partners for putting on a great event. Saturday knocked it out of the park with the event materials.

The Addy trophy and a nice surprise card from my office mates at Theory House

The Addy trophy and a nice surprise card from my office mates at Theory House

New Work: United Pixelworkers

I've been a big fan of all the great shirts over at United Pixelworkers for a while now. I had the pleasure of designing a shirt for them this month and it's now up for pre-order. Go check it out and grab one.

New Work: WWE Brawler Badges

I recently completed a set of heraldry style badges of many of the top WWE stars for WWE magazine. Dragons, snakes, war hammers and shoes. What's not to like?

New Work: GAME UK / TBWA London

I recently completed a set of badges for game retailer, GAME in the UK. I was commissioned by TBWA London and it was a pleasure working those guys. Maybe the best part of the project was that they called sketches "scamps," which we need to adopt here in the states ASAP.

The Exploded Alphabet

A series of letters as exploded diagrams. I'll be adding them semi-daily as I work my through the alphabet. Once I reach the end, I'll be doing a limited edition screened poster with all 26 characters. I've had a lot of requests for these as prints, so I've added them to my Society6 store. Available as prints, stretched canvases and throw pillows. Check them out here.

Update: New York Magazine

The set of Badges I created for Vulture(dot)com's 25 most devoted fan base series were picked up and used in the print edition of New York Magazine. Love seeing these little guys in print! Click for a bigger view.

New Work: Rock the Vote

As part of Rock the Vote's viral campaign, they've invited artists and designers to create a #GoVote image and share across social media. So...#GoVote

New Work: New York Magazine / Vulture[dot]com

I worked with Jen Cotton and Steve Motzenbecker at New York Magazine to create user badges for the Vulture 25 most devoted fanbases. I'm a huge pop culture junkie and I squeeze it into my work any chance I get, so this was a blast to get to work on. It was a super quick turn and I had only a few days to pull these off, but I'm really happy with the final set. Thanks to Jen, Steve and the team for sending this one my way and good suggestions on some of the trickier ones (Full disclosure: I had no idea what a Lil B was). Go grab your badge now.

New Work: Junk Drawer

I think most people have that drawer in their house. Full of forgotten stuff, random objects and various trinkets. We've always called it the "junk drawer." This series will be taking a look into these tucked away spaces in some of my favorite people; real, not so real, and somewhere in between. I love the challenge of trying to identify characters by their objects and possessions. Each small thing tells a part of the story. I'll be updating here and posting to twitter so you can follow me there @mattstevensclt. 

 
No.2 / White's Space

No.2 / White's Space

The toughest part of this one was just narrowing down what I would include. You can pick up a lot of junk on your path to moral bankruptcy. I had a lot of fun doing this one and including nods to some of my favorite parts of the show.

 
No.01 / Dark Nightstand

No.01 / Dark Nightstand

One of the most enduring characters of the modern era and a personal obsession that I've never quite outgrown. Starting with this guy was a no-brainer. The bigger mystery is just what this dude keeps close at hand in that messy drawer by the bed.

New Work: Facebook Lighthouse

I had the pleasure of working on an identifying mark for the internal wi-fi system out at the Facebook HQ in Menlo Park, CA. The mark needed to remain simple and iconic as it will be used on shuttles and locations throughout to identify where the service is available.